Tech/Science Stuff
• Harvard creates cyborg flesh that’s half man, half machine
• Heat-proof face paint to withstand bomb heat
• Researchers Believe They Have Found a Single Dose Cure for Malaria
• Researchers have also potentially deciphered the ‘manic gene’
• High quality Denisovan genome sheds light on human evolution
• Of course, the Antarctic may host large stores of methane
• Illuminating tales of modern mainframes
• A litigator’s love/hate relationship with Apple
• The History of the Floppy Disk
• From The Atlantic: How Can Bioscience Push the Limits of Lifespan?

Internet/Sociological Stuff
• Placing some context into the ‘odd’ Eastwood bit at the recent RNC: The Long History of Americans Debating Empty Chairs
• But then, #eastwooding twitter trend was pretty amusing
• The Samsung/Apple jury foreman’s explanation for verdict? Yeah, he doesn’t understand prior art
• Twitter Says It’s Going To Start Aiming Ads At Users Based On Content Of Tweets
• 4chan wants Taylor Swift to perform at a school for the deaf
• The Attention Economy is now the Location Economy
• A poll on polls shows they’re not very accurate
• From Ars Technica: How video copyright went insane

Culture/Media
• Another Willy Wonka letter of note: If ever an actor can do it – Gene can
• Inside Author Ray Bradbury’s FBI File: Was He a Communist Sympathizer? 
• Manga Artist Lets Anyone Use His Work, Royalty-Free
• This beer chase ad is pretty damn good
• Watch on this Youtube channel: every Troma film online
• This online tournament of movie sequels will be awesome!

Other Things
• Badass of the Week: Neil Armstrong
• An animation of the growth of Walmart in America
• What Happens to Stolen Bicycles?
• 12 Hotel Secrets by Hotel Staffs, From Minibar ‘Refills’ to Ritz-Carlton Largesse
• https://hackertyper.com/

And just because; here is some Maru…

This site has been one of my favourites lately and a recent post highlighting Gene Wilder’s correspondence before commencing production on Willy Wonka & The Chocolate Factory is wonderfully insightful.

Prior to accepting the role, Wilder set out one condition to director Mel Stuart:

“When I make my first entrance, I’d like to come out of the door carrying a cane and then walk toward the crowd with a limp. After the crowd sees Willy Wonka is a cripple, they all whisper to themselves and then become deathly quiet. As I walk toward them, my cane sinks into one of the cobblestones I’m walking on and stands straight up, by itself; but I keep on walking, until I realize that I no longer have my cane. I start to fall forward, and just before I hit the ground, I do a beautiful forward somersault and bounce back up, to great applause.”

Asked why, Wilder explained: “Because from that time on, no one will know if I’m lying or telling the truth.”

It really is a great example of an actor whose thinking process works on multiple levels in creating and developing both a character and performance for an audience.

There’s also a second letter on his thoughts towards the costuming of Willy Wonka that’s equally fascinating, but I don’t want to post verbatim from such a great site, so check it out here.