3 Things: videos

Backpedaling slightly after having mostly posted article links during the last week or so. Inversely, its mostly video content at the moment, so here’s three more random lots of them.

First is fake supercut/recut trailer for “Chuck Norris: The Movie”.

Next, a rather smart fellas re-redition of the original Super Mario Bros. game in 3D:

And lastly, I’ve had no idea how to post this, but essentially, it’s like the many, many, many hidden camera gotcha! videos that’s all over youtube at the moment, but the appeal to this humourous video is that it’s really the lovely ‘host/prankster’ who is the most awkward subject as he tries to use Blink-182 lyrics as pick-up lines.

TED: Why ‘x’ is the symbol for an unknown

Terry Moore explains ‘x’ as an unknown‘s origins in this short, humourous talk. Plus it’s more trivial knowledge for those bar quizzes.

Christoph Niemann on design

Video interview with illustrator, graphic designer and art director Christoph Niemann on his philosophy towards design, creativity and the visual language. Great stuff.

Website: Letters of Note

This site has been one of my favourites lately and a recent post highlighting Gene Wilder’s correspondence before commencing production on Willy Wonka & The Chocolate Factory is wonderfully insightful.

Prior to accepting the role, Wilder set out one condition to director Mel Stuart:

“When I make my first entrance, I’d like to come out of the door carrying a cane and then walk toward the crowd with a limp. After the crowd sees Willy Wonka is a cripple, they all whisper to themselves and then become deathly quiet. As I walk toward them, my cane sinks into one of the cobblestones I’m walking on and stands straight up, by itself; but I keep on walking, until I realize that I no longer have my cane. I start to fall forward, and just before I hit the ground, I do a beautiful forward somersault and bounce back up, to great applause.”

Asked why, Wilder explained: “Because from that time on, no one will know if I’m lying or telling the truth.”

It really is a great example of an actor whose thinking process works on multiple levels in creating and developing both a character and performance for an audience.

There’s also a second letter on his thoughts towards the costuming of Willy Wonka that’s equally fascinating, but I don’t want to post verbatim from such a great site, so check it out here.